Tiffany's Maleny Wedding Film

Tiffany's is a bright white chapel in Maleny with a glass wall behind the altar and the Glass House Mountains beyond.

The ceremony. Vows are made with the mountains in the window behind you, in any weather.

Portraits. In my films here, the couple laughs on a sunlit garden terrace and walks a grassy hillside at golden hour, the groom kissing her hand with a big tree behind. One Tree Hill and the nearby gardens are a short drive.

The reception. A reception can be held on the same property.

Couples choose Tiffany's for the view and for how well the day is managed: a ceremony with the mountains behind you, an interior that photographs beautifully and a team that runs the day smoothly. It suits couples who want a fully managed hinterland wedding and are happy to invest in it.

Couples say the view through the huge chapel windows was the clincher. Some wanted a venue that was magical, with a wow factor, and one couple married on the clearest day of the year for mountain views.

Couples describe the location as breathtakingly beautiful, with views that stay with them. They say the staff were amazing on the day and communicated with each other at every step, and one bride said the rehearsal left her so calm and confident that she only had to show up. They mention the food, and that it is not the cheapest venue but felt worth every cent.

With Cristina & Casey, I filmed moments like the couple laughing as he kisses her cheek on a sunlit garden terrace. Read their story.

With Caitlyn & Corey, I filmed moments like the couple walking a grassy hillside in golden-hour light, the groom kissing her hand, a big tree behind. Read their story.

With Chelsea & Nic, I filmed moments like the couple sitting on a grassy hillside at sunset, the valley and ranges falling away behind them. Read their story.

With Roxana & Cameron, I filmed moments like the bride's veil streaming in the wind as the couple kiss beside a timber fence on a country road. Read their story.

With Connie & Brodie, I filmed moments like the couple in a vintage convertible on a hilltop in black and white, a homestead on the ridge behind. Read their story.

The big window behind the altar is both the glory and the challenge. The bright white room and a window full of mountains mean the couple can end up backlit, so I plan my exposure at the rehearsal and watch for glare off the glass in the afternoon. On a clear day the view stretches to Brisbane and Moreton Bay, and one couple married on what was the clearest day of the mountain view all year. Queensland does not use daylight saving, so the light fades earlier than you may expect, and on cloudy days the good light can end about thirty minutes sooner.

A glass-backed chapel is wonderful for light and for the view, and the brightness of the white interior means careful exposure for faces. I will plan the ceremony time with you so the sun is kind to the mountains, and we can plan portraits at One Tree Hill or the nearby gardens once the ceremony is done.